A quirky musical journey through the history of pop and rock music. The songs, the bands, the records they played on the radio...
Friday, 28 December 2012
Shinto and rock and roll at the Buddakan
Pick of the
Week
“This is Japan” by
Jack Green (1980)
With its references to ‘Highway 2’1 and
‘Indian Summer’2 Jack Green’s “I Call No Answer” seemed like it was
about Alberta. In fact Alberta seemed to have a profound affection for this
English rocker in the early 1980’s – it was a regional anomaly which does not
happen very often.
In the early ‘80’s
I recall driving this particular piece of highway (the #2) a bit and one of my
favorite road soundtracks for the ride was ‘Humanesque” (of course vinyl recorded
onto cassette tape – which always sounded better than the cassette tape format
to me).
I had a pair of white canvas Nikes that lent themselves to
the style of the times which I would sometimes wear a dress jacket over a tee-shirt and narrow leg jeans. It just was
the style. If you look at the videos of the time, that is what they wore – the
post-punk uniform if you will.
Jack Green seems to be underrated and somewhat forgotten except
by his most ardent fans. Was he ahead of his time? Behind the times? Or was it
a lot of things like life usually is?
The sound Jack Green made was derivative of a few
experiences he had. He had been a member of the T-Rex and The Pretty Things (he
was on the recording of ‘Silk Torpedo’ and “Savage Eye’). He had been writing
songs professionally since he was 16 years old and had already had two hit
singles in Holland and Germany. He was in the cast of ‘Hair’ and played with
Richie Blackmore’s Rainbow. Not bad credentials!
The influence of punk and then more new wave opened the
door for his more punchy power rock. The guitar was the thing and he played it
well. Ritchie Blackmore (Deep Purple) even
came out to help out on “I Call No Answer” when Jack recorded it.
‘Humanesque’ still plays well from beginning to end (That
is if you can get a hold of a copy – seems to be somewhat rare strangely).
Labels:
Jack Green,
Ritchie Blackmore,
T-Rex,
The Pretty Things
Saturday, 22 December 2012
There she stood in the doorway; I heard the mission bell And I was thinking to myself this could be heaven or this could be hell
“Hotel California”
by the Eagles (1976)
The surfer boys were growing up and moving on by the late
sixties. The beautiful sons and daughters of the migrants to this magnificent
coast with its tinge of the Mexican influence were changing. California was not
the same place as the fictitious Joad family sought out in “The Grapes of
Wrath”. It wasn’t the California of real characters like Brian Wilson’s father’s
family either – they had moved to California from Kansas when he was five and were
so poor they tented on the beach.
No indeed California of the ‘60’s had become the dream. From
surrealistic places like the LA suburb
called Laurel Canyon Joni Mitchell (remember “Ladies of the Canyon”) the Byrds,
The Buffalo Springfield (with transplanted Neil Young) and others like a young
Jackson Browne, had made a sound of their own – what loosely could be called the
Southern California sound.
As the decade clicked off into the seventies a young DonHenley from Texas met Glen Frey from Michigan at the Troubadour club in Los
Angeles. Both of them had their own bands and wanted to make it big in
California. It was Linda Ronstadt who by instructing her manager John Boylan to
recruit her some session musicians in spring of ’71 who set in motion the
events that would ultimately produce one of the biggest bands of all time.
Labels:
Don Henley,
Eagles,
Glen Frey,
Hotel Califonia,
Joe Walsh,
Linda Rondstadt
Sunday, 9 December 2012
She's the kind of woman who lets you know when she knows what she wants she won't let go
Pick of the
Week
“That Girl” by Maxi
Priest featuring Shaggy (1996)
You can hear the R&B influence – kind of like a
green-onoionish Booker T and the MGs sound running behind this song which is
not a surprise really. That was one of the influences underlying reggae in fact
this style is often called ‘reggae fusion’.
Booker T. and the MGs |
There is a spontaneity about reggae. It is soulful music
that has its origins deep in folk music of sorts.
Labels:
Bob Marley,
Jonhnny Nash,
Maxi Preist,
Reggae,
ska,
Toots and teh Maytals
Saturday, 1 December 2012
Tuesday, 27 November 2012
A chip off the ol' block!
It is interesting to note that sometimes it doesn't matter what your Dad did for a living - or does it?
Below is the names of 13 rocks stars and 13 occupations. See if you can match the rock star with the occupation of their father........Ready, Go!
Below is the names of 13 rocks stars and 13 occupations. See if you can match the rock star with the occupation of their father........Ready, Go!
Rock Stars
Prince
Madonna
Elton John
Elton John
Neil Young
Jim Morrison
Gwen Stefani
Carly Simon
Deborah Harry
Deborah Harry
Eddie Van Halen
Keith Richards
Jimmi Page
Janis Joplin
Olivia Newton-John
Occupations of their father's in no particular order:
Sports writer/editor
Navy Admiral
Co-founder of famous publishing company
Clarinetist, saxophonist and pianist
Pianist and songwriter
Design engineer for Chrysler and General Motors
Gift shop proprietor
Flight lieutenant
Factory worker, stormed the beach at Normandy
Yamaha Marketing Executive
MI-5 officer
Personnel manager
Engineer at Texaco
Good luck!
Monday, 5 November 2012
Monday Monday, can't trust that day, Monday Monday, sometimes it just turns out that way
Songs Everybody
Should Know
“Monday, Monday” by
the Mamas and the Papas (1966)
Why would a song writer think that anyone could relate to
a day of the week? I guess because it is a universal experience – wake up on
Monday morning (“Manic Monday” the Bangles, “I Don’t Like Mondays”, Boomtown
Rats), get your butt through the week (“Tuesday Afternoon” Moody Blues). Get
over hump day (“Wednesday Week” Elvis Costello, “Wednesday Morning, 3AM” Simon
& Garfunkel) and cruise through to Thursday (“Thursdays Child” David Bowie)
until we make it to Friday (“Friday I’m in Love” the Cure, “Friday on my Mind” Easybeats).
Then comes Saturday, (“Saturday Night’s Alright for Fighting” Elton John,
“Another Saturday Night” Sam Cooke, “Saturday Night” Bay City Rollers1,
“Saturday Night” Skyhooks).
So I think you get my point. It is the cheating lyricists’
way out. Of course we can relate – we are alive aren’t we!
This particular day of the week song was the 1966 #1 hit
for the Mamas and the Papas from their debut album “If You Can Believe Your
Eyes and Ears”. It is a great album
which also has their hit “California Dreaming” which is absolutely embedded in
the tapestry of popular culture now. I mean teenagers know this song and that
is saying something. This is prime hippy freedom/hedonism gone commercial. But
a very solid album blessed by the song writing of John Phillips – not too
spacey so that you can’t relate to it. No, it was sort of a folk-rock melodica,
somehow transcending pure folk.
Labels:
60's,
hippie,
John Phillips,
Mama Cass,
Mamas and Pappas,
Michelle Philiips
Sunday, 28 October 2012
Tuesday, 23 October 2012
There goes my baby She knows how to Rock n' roll She drives me crazy She gives me hot and cold fever Then she leaves me in a cool cool sweat
Pick of the
Week
“Crazy Little Thing
Called Love” by Queen (1980)
He was born to be a showman. With his flamboyant
charismatic presence, the soaring, brilliant, multi-octave voice of Freddie
Mercury is easily worthy of being called one of the top male voices in rock
ever.
His lives on in videos, DVDs, records, CDs, Mp3s and
millions of people’s memories all over the world.
Born Farrokh
Bulsara he was born in Zanzibar, Tasmania and was raised in India till he was a
teen. In Bombay he had already started playing piano when he entered St.
Peter’s British-style boarding school at age 8. Soon to be called Freddie, he
formed his first band when he was 12 and did Cliff Richard and Little Richard
tunes.
After school he
returned to the family home in Zanzibar only to leave again for England due to
the Zanzibar revolution that saw thousands of Arabs and Indians killed. In Felltham,
Middlesex he enrolled in Islesworth Polytechnic where he studied, what else,
art. His diploma in Arts and Graphics was later put to good use when he
designed the ‘Queen’ logo.
After kicking
around with a few bands he teamed up with Brian May and Rodger Taylor who were
a bit nervous about the name “Queen”, but reluctantly agreed. It was about this
time that Freddei changed his surname from Balsara to Mercury.
Spanish soprano Montserrat Caballe with whom Mercury
recorded an album, said of him, “The difference between Freddie and almost all
the other rock stars was that he was selling the voice. His technique was
astonishing. No problem of tempo, he sung with an incisive sense of rhythm, his
vocal placement was very good and he was able to glide effortlessly from a
register to another. He also had a great musicality. His phrasing was subtle,
delicate and sweet or energetic and slamming. He was able to find the right
colouring or expressive nuance for each word.”
Sunday, 14 October 2012
Saturday, 13 October 2012
1984: The Raspy Show-down. Head-to-Head Bonnie Tyler vs. Laura Branigan
“I’m Holding Out
for a Hero” by Bonnie Tyler (1984)
“Self Control” by
Laura Branigan (1984)
In retrospect the ‘80’s looks all carefree and colorful,
but it was likely still difficult for female artists. Things were still not as
progressive as maybe one might think. Were they bimbette airheads? Or, under the
multi-colored ultra-teased hair, leg warmers and spandex were they artists?
Where were all the pioneering women of rock and what had
they accomplished? The forgotten singer-songwriters like Joni Mitchell and
Carole King soldiered on in ‘80s – very much out of style. How things had
changed - so much but so little.
MTV drove a male definition of what feminism should have
been in the 1980’s. MTV drove fantasy, not reality. Who needs that?
Capitalizing on the appearance of female artists like Pat Benatar, Kate Bush,
and Deborah Harry of Blondie was standard for record companies in the early ‘80’s.
Sex symbols were alive and well – it sold records. Would Big Mama Thornton who
died alone and impoverished in 1984 tell them not to do it? No Mam!
Like Lena Lovich1 and Souxsie Sioux (the
Banshees) from the punk movement of the late ‘70’s it was trendy for women to
be exclusively singers – it was hard to drum and strut around in a video in the
latest fashions. They were to appear wandering down the street or rolling on a
bed not playing a guitar like would later happen in the ‘80’s.
Was the pop song “Watch Her Strut” by Sheena Easton a
response to Prince who she once dated? Some women embraced the use of their
femininity. Did Deborah Harry know what she was doing? Damn right she did.
Tuesday, 12 June 2012
Sunday, 3 June 2012
We don't need no education. We don’t need no thought control. No dark sarcasm in the classroom. Teachers leave them kids alone
School Songs
“Good Morning
School Girl” by Sonny Boy Williamson (1937)
“I Don’t Like
Mondays” by The Boomtown Rats (1979)
“Another Brick in
the Wall” Pink Floyd (1979)
School has such a huge impact on our lives that it is no
wonder there are many, many songs about school and teachers. The songs vary,
from hatred of school to love of school. It is a very formative emotional time
so again, no surprise on the spectrum of emotions expressed over the years.
We seem to think that school should be a certain way –
proper, orderly, rule-based. When it isn’t we seem to think that is bad or
somehow a breaking of a taboo. Are we corrupted by that? Are they brain-washing
us to think a certain way to fit into society? Does it really work? Do we have
minds of our own?
Labels:
Pink Floyd,
School,
Teachers
Friday, 25 May 2012
If you change your mind, I'm the first in line. Honey I'm still free. Take a chance on me
Hip to be
Square
“Take a Chance on
Me” by Abba (1977)
Back in the day, I would sometimes buy
albums on spec. I had maybe heard one song on the album; not really knowing
what it was. Sometimes you were pleasantly surprised. This was one of those
times.
Peeling it out of its cellophane the album cover showed (to me) a more mature set of two couples enjoying some
champagne in the back of a limo....So I threw on the album (o.k. gingerly
placed), not expecting a lot really.
A funky piano intro and this weird sound
on the stereo leading into this punchy bass beat and this exotic euro sound floating
around on top of it with those voices. Those voices – controlled yet somehow
evocatively emotional. What was going on? Who the hell was this band? ‘Mamma
Mia’ what the hell is that? Some Italian thing?
Labels:
Abba,
Mama Mia,
Roxette,
The Cardigans
Thursday, 24 May 2012
Tuesday, 22 May 2012
Here in my car I feel safest of all I can lock all my doors It’s the only way to live In cars
Pick of the
Week
“Cars” by Gary
Numan (1979)
If you are singing along to a song when driving, say
researchers, you are paying more attention to your driving. I think they are right, but clearly I am
biased. The most intimate music we play is often behind the wheel of a car.
So let’s see, what would be the perfect driving song?
The song would have to enhance the experience of the short
jaunt or the long haul. For longer trips the highway sound of your wheels has
to kind of blend. A song with a steady rhythm and a strong beat for starters. It
probably has guitars, decent drumming, and maybe a little cowbell for good
measure.
Labels:
1970's,
Beach Boys,
Gary Numan,
Jan and Dean
Tuesday, 15 May 2012
Girl, To Be With You Is My Fav'rite Thing Uh Huh And I Can't Wait Til I See You Again Yeah, Yeah
70’s Song of
the week
“Boogie Shoes” by
K.C. and the Sunshine Band (1975)
Some say Disco was spawned because the Nazi’s banned
jazz. The next best thing was to develop clubs where they played records. The
first ‘discotheques’ sprung up in WWII and continued after in clubs like
the ‘Whisky a Go-Go” in Paris. The ultra chic set did not have exclusivity to
this trend for long.
The seedy ‘Peppermint Club’ in New York spawned the
short-lived dance craze ‘The Twist”. The culture of this was embedded in the
teenagers who would drive the commercial direction of music. The Beatles would
swoop in to NA in 1964 and no one cared about their ‘Twist” records anymore
which had every variation you can imagine by this point.
There was something slightly Victorian about the new
dance crazes though – you danced alone. There was no contact with the other person.
Sock-hops and record parties in the sixties were somehow made safer to
on-looking adults because of this.
Labels:
1970's,
Beatles,
Bee Gees,
K.C. and the Sunshine Band,
Stevie Wonder
Thursday, 29 March 2012
Monday, 26 March 2012
In touch with the ground I'm on the hunt I'm after you Smell like I sound, I'm lost in a crowd And I'm hungry like the wolf
Pick of the
Week
“Hungry Like the
Wolf” by Duran Duran (1982)
My sister once shared an elevator with Duran Duran - that
is as close as I ever got to this ‘Second British Invasion’ band of ‘80’s fame.
With their slick designer clothes, professional production videos and pretty-boy
looks, they were Princess Diana’s favorite band at one point.
The first real attention they got in 1981 was with their
third single, “Girls on Film”. Directing duo, Godley and Creme told the
management to do something erotic that would get people’s attention and that
would be played on the new big screens that were starting to appear in night
clubs. The video showed girls mud wrestling, fighting a sumo wrestler, and
other suggestive images. The song went to number 3 in the U.K. and the voice of
Simon Le Bon was starting to be well known in the U.K. Unfortunately some of
the stops on their second tour coincided with riots; tension over unemployment
and racial unrest.
The core band in 1981 was Simon Le Bon (vocals), Nick
Rhodes (keyboards), John Taylor (bass), Andy Taylor (guitar) and Rodger Taylor
(drums). (None of the Taylors were related and there is no relation to the
drummer of the band Queen.)
By May of 1982 they release their second and most well
know album “Rio” with songs “Hungry Like the Wolf”, “Save a Prayer”, “My Own
Way” and title track “Rio”. They toured Australia, Japan and then opened for Blondie
on the American tour.
The ‘Rio’ album did not do so well in the U.S. at first. The
band was labeled as being ‘new romantic’, and it just did not work. They were
more than Spandau Ballet or Adam and the Ants weren’t they? The British press
had already dubbed them the ‘Fab Five’ comparing them to the Beatles. What was
wrong?
At wits end as to how to sell Duran Duran in the U.S.
Capital records hired famed producer David Kershenbaum to remix the songs more
in the style of the popular EP dance track ‘Carnival” that was gaining
popularity with DJs in the U.S. That was ticket. Appearing on a U.S. dance show
performing “Hungry Like a Wolf” and “Rio”, the rerelease in November of 1982
finally kick-started the U.S. market.
Labels:
Duran Duran,
Elton John,
The Bangles
Friday, 23 March 2012
She was only sixteen, only sixteen But I loved her so But she was too young to fall in love And I was too young to know
Hip to be
Square
“Only Sixteen” by
Sam Cooke 1959
John Cougar Mellencamp’s “Ain’t Even Done With the Night”
says, “You got your hands in my back pockets, and Sam Cooke's singin' on the
radio”. There is a mystique about Sam Cooke. He is a legend: a dream-like spirit of something
past. His influence was deep and strong. His life was short and brilliant.
Known as the ‘King of Soul’ Sam Cooke had a profound
influence on people like Aretha Franklin, Al Green, Stevie Wonder, Curtis
Mayfield, and Marvin Gaye and many to follow His soaring voice and delivery – smooth as
silk; vulnerable yet strangely strong and able to take you away with it.
Labels:
John Cougar Mellencamp,
Nat King Cole,
Sam Cooke
Sunday, 11 March 2012
Monday, 5 March 2012
TIme is one my side, yes it is...
Quiz Time
The theme this time,
is time. It is a long one!
As you read this some time will go by. If you decide to
try to solve this quiz, some more time will pass.
Hopefully it is time well spent. Enjoy!
If I had a box just for wishes and dreams that had never
come true -
Sitting on this barstool talking like a damn fool. Got the twelve o'clock news blues and I've given up hope on the afternoon soaps and a bottle of cold brew.
Sitting on this barstool talking like a damn fool. Got the twelve o'clock news blues and I've given up hope on the afternoon soaps and a bottle of cold brew.
It was a very good year for city girls who lived up the
stair with all that perfumed hair and it came undone. It's the time of the
season where love runs high. In this time give it to me easy.
Time has come today; young hearts can go their way. Can't
put it off another day. I don't care what others say. Go ahead baby go ahead,
go ahead and light up the town. Baby, do anything your little heart desires. Tired
of lying in the sunshine staying home to watch the rain. You are young and life
is long and there is time to kill today.
It's astounding, time is fleeting; madness takes its toll.
Sometimes you picture me. I'm walking too far ahead - you're calling to me I can't hear. Confusion never
stops, closing walls and ticking clocks. Come back and take you home, I could
not stop - that you now know.
No time for a gentle rain. No time for my watch and chain. Seasons come and seasons go but our love will never die. Let me hold you darlin' so you won't cry.
Let me know all the songs and srtists if you have time to figure it out...
Sunday, 4 March 2012
We hear you're leaving, that's OK I thought our little wild time had just begun I guess you kind of scared yourself, you turn and run
Songs Everybody
Should Know
“Rikki Don’t Lose
That Number” by Steely Dan (1974)
Welcome to the funky bohemia that is Steely Dan. Building
a complex musical web around lyrics that run the gamut about anything from love
to bandits, to greed, lust, and glory and back again. The jazz-infused mosaic of life is almost parody-like.
A thinking man’s funk, Steely Dan delivers a diverse, rich sound while taking
you to some of the weirdest places you could ever go – and yet they seem
familiar in some strange way…
Labels:
1970's,
Donald Fagan,
Steely Dan,
Walter Becker
Wednesday, 15 February 2012
Saturday, 11 February 2012
Just like the white winged dove, sings a song sounds like she’s singing Oooh...Baby...Ooh...Baby...Oooh
Pick of the
Week
“The Edge of
Seventeen” by Stevie Nicks (1981)
Her voice is one of the most instantly recognizable female
voices in pop music. With her platform boots, her top hat, and shawls, she developed
a ‘mystic’ persona. She could have easily been the inspiration for ‘the Witches
of Eastwich’. She sang lead on “Dreams” from the phenomenal Fleetwood Mac ‘Rumors’
album;
the only single to go to number one on that album. Other classic songs ‘Mac’ with the Nick’s stamp on them are “Landslide”, and “Silver Springs”.
the only single to go to number one on that album. Other classic songs ‘Mac’ with the Nick’s stamp on them are “Landslide”, and “Silver Springs”.
Labels:
1980's,
Fleetwood Mac,
Stevie Nicks
Sunday, 5 February 2012
Doctor, my eyes have seen the years and the slow parade of fears without crying. Now I want to understand.
70’s Song of
the week
“Doctor My Eyes” by
Jackson Browne (1970)
The first time I really paid attention to the Jackson
Browne “Running on Empty” album I was at a friend’s place; actually his older
sister’s. We were playing charades. I
couldn’t believe we were playing charades – it seems pretty lame to me; I
already had a pretty healthy cynicism about me in my teens. What had caught my
attention though was the Jackson Browne album on the stereo. When it was my
turn to demonstrate something and my clue was’ Deep Purple’ I was kind of
useless
Labels:
1970's,
Jackson Browne
Wednesday, 1 February 2012
Love is kinka crazy with a spooky little girl like you. You always keep me guessin’. I never seem to know what you are thinkin’.
Hip to be
Square
“Stormy” by the
Classics IV (1968)
This is the story of a band few know the name of, but
because they have been covered so often many have heard.
The British invasion was in high swing in mid sixties in
the U.S. when this southern band formed in Jacksonville Florida. Doing covers
of instrumentals (like the Ventures surf music), they were soon asked to sing.
Dennis Yost the “stand-up” drummer as he was called started singing and drumming.
The band, originally called the “Classics” was so named because of the brand
name on his drum kit.
Saturday, 21 January 2012
The phone rings in the middle of the night My father yells what you gonna do with your life. Oh daddy dear you know you're still number one but girls they wanna have fun
‘80’s Pick of
the Week
“Girls Just Wanna
Have Fun” by Cyndi Lauper (1983)
There ain’t no stoppin’ the whirling New York dervish
called Cyndi Lauper. In 2010 at age 57 she had the number one selling blues
album on Billboard called “Memphis Blues”.
Seems like she came out of nowhere. Her contribution to
‘80’s styles is unquestionable. Was it her inextinguishable New York charm? Was
it her little high pitched squeals interjected into songs? Was it her hair? Or
does it really go deeper; like she really is an amazing singer with a innate
feeling and understanding for the material, whether her own or the
interpretation of others?
Labels:
1980's,
Bad Company,
Cyndi Lauper,
Jefferson Airplane,
Led Zeppelin,
Prince,
Roy Orbison
Thursday, 19 January 2012
Sunday, 15 January 2012
I remember there’s a radio coming from the room next door, my mother laughs the way some ladies do
Pick of the
Week
“Late in the
Evening” by Paul Simon (1980)
Imagine for a moment what the world would be like if the 5
o’clock train never showed up, or there were no such thing as hot dogs, or your
grandma hopelessly and endlessly missed a stitch every time she knitted. Now
think of a world without Paul Simon songs...........sucks right? It was Simon himself who said “every
generation throws a hero up the pop charts”. He may not have been talking about
himself, but damn he wrote some catchy pop songs.
Labels:
1970's,
Art Garfunkel,
Paul Simon,
Simon and Garfunkel
Thursday, 12 January 2012
Sunday, 8 January 2012
Hark, now hear the sailors cry. Smell the sea and feel the sky. Let your soul and spirit fly into the mystic.
70’s Song of
the week
“Into The Mystic”
by Van Morrison (1970)
My friend Jim from Belfast knew who the brown-eyed girl
was. She ended up marrying a bartender and they ran a pub. Jim also used to
see Van Morrison on the street corners of Belfast many years ago. He would
perform on street corners when he was not performing his duties as a window
cleaner. He is maybe not the friendliest
guys in the world but he can sure write and sing a song!
Labels:
Them,
Van Morrison,
William Blake
Wednesday, 4 January 2012
Subscribe to:
Posts (Atom)