Pick of the
Week
“Hungry Like the
Wolf” by Duran Duran (1982)
My sister once shared an elevator with Duran Duran - that
is as close as I ever got to this ‘Second British Invasion’ band of ‘80’s fame.
With their slick designer clothes, professional production videos and pretty-boy
looks, they were Princess Diana’s favorite band at one point.
The first real attention they got in 1981 was with their
third single, “Girls on Film”. Directing duo, Godley and Creme told the
management to do something erotic that would get people’s attention and that
would be played on the new big screens that were starting to appear in night
clubs. The video showed girls mud wrestling, fighting a sumo wrestler, and
other suggestive images. The song went to number 3 in the U.K. and the voice of
Simon Le Bon was starting to be well known in the U.K. Unfortunately some of
the stops on their second tour coincided with riots; tension over unemployment
and racial unrest.
The core band in 1981 was Simon Le Bon (vocals), Nick
Rhodes (keyboards), John Taylor (bass), Andy Taylor (guitar) and Rodger Taylor
(drums). (None of the Taylors were related and there is no relation to the
drummer of the band Queen.)
By May of 1982 they release their second and most well
know album “Rio” with songs “Hungry Like the Wolf”, “Save a Prayer”, “My Own
Way” and title track “Rio”. They toured Australia, Japan and then opened for Blondie
on the American tour.
The ‘Rio’ album did not do so well in the U.S. at first. The
band was labeled as being ‘new romantic’, and it just did not work. They were
more than Spandau Ballet or Adam and the Ants weren’t they? The British press
had already dubbed them the ‘Fab Five’ comparing them to the Beatles. What was
wrong?
At wits end as to how to sell Duran Duran in the U.S.
Capital records hired famed producer David Kershenbaum to remix the songs more
in the style of the popular EP dance track ‘Carnival” that was gaining
popularity with DJs in the U.S. That was ticket. Appearing on a U.S. dance show
performing “Hungry Like a Wolf” and “Rio”, the rerelease in November of 1982
finally kick-started the U.S. market.
The band were forerunners in a number of respects. The remixes
of their own songs was cutting edge as well as the videos that were
professionally made with 35mm film. The band were naturals for MTV and got
heavy rotation. “Rio” ended up peaking in the U.S. at number 6, but stayed on
the charts for an astounding two and a half years! It is very much exemplary of
this time period now for sure.
In 1983 the band rereleased its first (self titled) album
in the U.S. with an additional single “Is There Something I Should Know”. The
single went to number one in the U.K. and number four in the U.S. In the U.S.
the band was now getting mobbed with their popularity soaring. Bands like the Eurythmics,
Culture Club, Thomas Dolby and even the U.S.’s
Stray Cats were hard pressed to compete with their popularity at the
time.
The new album in late ’83, “Seven and the Ragged Tiger” was
conceived and recorded when Duran Duran were tax exiles in France. The album
itself, recorded in Sydney spun out the first single “Union of the Snake” to
eagerly awaiting fans that threw it up to the top twenty immediately.
Interestingly it was released on video and played on MTV first. It was a full
week later before it was released on radio. (See my articles on MTV part 1 and 2). The next single “Reflex” was remixed by famed Nile Rodger of Chic (who is
practically single-handedly responsible for the funky groove popular in disco
songs and beyond).
A world tour in 1984 was driven by the single “Wild Boys”.
The band appeared on the cover of February’s Rolling Stone magazine. They also
took home two Grammy awards that year and filmed the live concert effort called
“Arena”.
By the end of 1985 Duran Duran were ‘on hold’. They had a
few side projects that seemed to be the real end to a wild ride. I think the
side projects got them away from each other and found that they liked it. They regrouped
in 1985 to do the very successful soundtrack for the James Bond film “A View to
a Kill”, (still the only Bond soundtrack to be #1 in the U.S.). John and Andy
Taylor left the band which was fracturing from fatigue and infighting.
Somewhat of a manufactured boy-band they did make some significant
contributions to music. The influence of their videos, self-penned and remixed dance
songs, and style has been noted by artists like Elton John, The Bangles, Pink, Gwen Stefani, even Dido
and The Killers.
Say what you like, they had a groove! As long are there
are big bad wolves chasing little red riding hoods at the night club, Duran
Duran will live on.
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