‘80’s Pick of
the Week
“Girls Just Wanna
Have Fun” by Cyndi Lauper (1983)
There ain’t no stoppin’ the whirling New York dervish
called Cyndi Lauper. In 2010 at age 57 she had the number one selling blues
album on Billboard called “Memphis Blues”.
Seems like she came out of nowhere. Her contribution to
‘80’s styles is unquestionable. Was it her inextinguishable New York charm? Was
it her little high pitched squeals interjected into songs? Was it her hair? Or
does it really go deeper; like she really is an amazing singer with a innate
feeling and understanding for the material, whether her own or the
interpretation of others?
So where does this strange girl from New York fit into
the grand scheme of pop music? There is a rebellion about Cyndi Lauper music
that lurks deeper; much deeper than the glossy rebellion on the surface. When
she shows her true colors it comes through in feminine strength, independence
and joie de vivre that is attractive and uplifting – magnetic and boisterous.
The first female singer to have 4 singles released from
one album. You may even be able to name them as they got strong radio play:
“Girls Just Wanna Have Fun”, “All Through the Night”, “Time after Time” and
“She Bop”. (She also does a cover of Prince’s “When you Were Mine”)
This is the story of a Queen’s New York girl who listened
to Ella Fitzgerald, Billie Holiday, and the soaring voice of Judy Garland –
they had a profound impact on her. So did the roots of rock and roll and bands
like the Beatles. Even with her mother’s encouragement and her love or music
and art, she found herself dropping out of a specialized art high school and
leaving home at 17. She went to the Canadian woods for a while and thought
about it. She returned to the U.S. to work at odd jobs, and sing in cover bands
in the ‘70’s. Never really satisfied with doing covers of Led Zeppelin,Jefferson Airplane or Bad Company songs, Cyndi yearned to do something
original. In ’77 she lost her voice and was told she would never sing again –
Not! She recovered just fine with a little help from a vocal coach.
After meeting saxophone player John Turi, Lauper put out
the album “Blue Angel” on Polydor, even though the record companies were keen
to sign her as a solo act. She held out,
ever loyal to her band. Playing at the “El Sombrero” club in New York the
scouts listened to her sing in her 4-octave range and were blown away. Bigger
things were in store of this little girl.
When Lauper met David Wolfe in 1981 he became her manager
and then her lover. She was signed to Portrait records, a subsidiary of Epic.
In October of ’83 “She’s so Unusual” was released. It was loved by everyone. Her cross-over style
between punk and new wave spawned copy-cats everywhere. Often changing up the
lyrics of songs to suit her, Lauper was the stuff in 1983! The album sold in
excess of 16 million copies.
After helping with “We Are the World”, to help Africa and
providing musical direction for Spielberg’s movie” The Goonies” (with the cool
song “Goonies “’R’ Good Enough”), Lauper was looking at doing another solo
project. In 1986 after winning a
boat-load of Grammy’s she put out the album “Time after Time” which went to
number four on Billboard. Of course “True Colors” went to number one, but there
was also “Change of Heart” and a very solid version of Marvin Gaye’s “What’s
Goin’ On”.
1989’s “A Night To Remember” contained the hit “I Drove
All Night”, which was penned for Roy Orbison, but he did not record and release
it for another three years. In 1993’s “Hat
Full of Stars” was a commercial disappointment. “Sisters of Avalon” put out in
1996 was directed toward the gay community, again not particularily commercially
successful and not her best efforts.
After albums “Shine” and “At Last”, Lauper was back on
top with “The Body Accoustic” in 2005 with collaborations with other artists
doing her material. It is a very eclectic and interesting album to be sure.
After Donald Trump fired Cyndi while she appeared on the
TV show “Celebrity Apprentice”, she performed a song from her upcoming album “Memphis
Blues” in the boardroom. She does not
need to be anyone’s apprentice that’s for sure, and she could certainly teach Trump
a thing or two about style.
As she sings in “Goonies ‘R’ Good Enough”: “Oh it's not
real if you don't feel it. Unspoken
expectations, ideas you used to play with -they're finally taking shape”. Yep, it all worked
out for you Cyndi!
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