A quirky musical journey through the history of pop and rock music. The songs, the bands, the records they played on the radio...
Thursday, 7 February 2013
I’m the phone booth it’s the one across the hall If you don’t answer I’ll just ring it off the wall
Songs Everybody
Should Know
“Hanging on the
Telephone Line” Blondie (1978)
Deborah Harry is a street-wise punk-wave icon. In the
late seventies the MTV revolution found a camera-ready bad-Barbie, former
Playboy bunny with natural sass and blonde hair. The lyrics of Deborah Harry/Chris Stein songs
were emotionally expressed, accessible and executed with a punker-in-the-know
attitude. Not crass or hardcore; but more like art meets stylistic rock. This
is probably the most observable example of where the cross-over between punk
and new wave happened.
From the epicenter of the American punk movement came the
surprisingly inspired, complex concoction of a beautiful punk-wave icon and
as it turns out her brilliant band. It always helps to have a beautiful front person
in the band, but the music has to stand on its own or the band becomes a flash
in the pan. The Roxy Music/Bowie inspired experimentation would take us from
garage rock, surf, 60’s pop influence, reggae, punk, and new wave to disco and
even a precursor to rap from the streets of New York.
Labels:
Blondie,
Deborah Harry,
new wave,
punk rock
Sunday, 3 February 2013
Friday, 25 January 2013
You can't sleep, you can't eat There's no doubt, you're in deep Your throat is tight, you can't breathe Another kiss is all you need
Double Hit:
Robo-chicks
“Addicted to Love”
by Robert Palmer (1986)
“Simply Irresistible”
by Robert Palmer (1988)
I remember in 2003 when Robert Palmer passed away and
Bill at work said, “He was in Emerson, Lake and Palmer too right?” I cringed
inside and tried not to be a total music nerd. I simply said, “No that is Carl
Palmer and he was the drummer. I don’t think he is dead. Carl was also in the
group ‘Asia’, remember them?”
Robert Palmer, (also not to be confused with the music
historian Robert Palmer) was an English singer-songwriter who combined many
styles of music. He could take jazz, blues, rock and even reggae and create
unforgettable rhythms.
You may recognize his voice from when he covered ‘Get It
On (Bang A Gong’, the old T-Rex song when he was in PowerStation or maybe you
remember when he did the Moon Martin penned ‘Bad Case of Loving’ You’. His
voice was distinctive. His style was polished. He dressed well. He was always
trying to find a new and interesting sound or lyric or idea.
Labels:
1980's,
Jack Bruce,
Robert Palmer
Sunday, 20 January 2013
Goin' up to the spirit in the sky That's where I'm gonna go when I die
Quick Hit
“Spirit in the Sky”
by Norman Greenbaum (1969)
In 1968 he had a hit with “The
Eggplant That Ate Chicago” with his band ‘Dr. West’s Medicine Show and Junk
Band”. I don’t remember it.
Born in Wisconsin and raised in a Jewish family,
Greenbaum watched a lot of western movies and from those he got the idea for
‘Spirit in the Sky”. It was not really a Christian song according to Greenbaum.
It has become one of the staples of the hippie generation and still sounds good
– the sound was cutting edge at the time – a key example of ‘psychedelic” music
for sure.
The 1949 the Gene Autry movie entitled “Riders in the Sky”
became a huge song for Gene as well. It was originally written by Stan Jones in
1948. It got recorded by many artists and became ‘Ghost Riders in the Sky” for
Johnny Cash in 1979. There had been the
instrumental “Apache” by the “Shadows” which was widely known and hugely
popular in 1966. There was “Riders on the Storm” done by the Doors which was western
influenced quite possibly by Gram Parsons of the Flying Burrito Brothers who I
am sure crossed paths with Jim Morrison. Robbie Krieger says it was influenced
by “(Ghost) Riders in the Sky: A Cowboy Legend”.
Labels:
1960's,
psychodelic,
The Doors. Jim Morrison
Wednesday, 16 January 2013
Thursday, 10 January 2013
The ink is black, the page is white Together we learn to read and write
70's Pick of the Week
“Black and While” by Three Dog Night (1972)
It was the summer of ’72 and I recall a portable radio
blaring on top of an old wooden picnic table in my friend’s back yard. The old
brown table had seen better days but the songs were brand new. Every time we were
in their yard that summer that radio would be snapped on. We would be done
playing football for the day and having a slurpee or something; Bill would tell
dirty jokes or we would just hang out. The songs sounded so new and alive – just
like we were.
![]() |
| Three Dog Night |
From the radio blasted “Black and White1” by
Three Dog Night. The sun felt good. The Surplee ‘brain- freeze’ not so much.
![]() |
| Suitable For Framing |
“Black and White” had been done by Sammy Davis Jr. in
’59, so technically this was a ‘cover’. Almost all of their most successful
songs, (and there were plenty of them) were covers.
Labels:
1970's,
black and whilte,
classic rock,
TDN,
the show must go on
Sunday, 6 January 2013
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