I’m the phone booth it’s the one across the hall If you don’t answer I’ll just ring it off the wall

Songs Everybody Should Know

“Hanging on the Telephone Line” Blondie (1978)

Deborah Harry is a street-wise punk-wave icon. In the late seventies the MTV revolution found a camera-ready bad-Barbie, former Playboy bunny with natural sass and blonde hair.  The lyrics of Deborah Harry/Chris Stein songs were emotionally expressed, accessible and executed with a punker-in-the-know attitude. Not crass or hardcore; but more like art meets stylistic rock. This is probably the most observable example of where the cross-over between punk and new wave happened.

From the epicenter of the American punk movement came the surprisingly inspired, complex concoction of a beautiful punk-wave icon and as it turns out her brilliant band. It always helps to have a beautiful front person in the band, but the music has to stand on its own or the band becomes a flash in the pan. The Roxy Music/Bowie inspired experimentation would take us from garage rock, surf, 60’s pop influence, reggae, punk, and new wave to disco and even a precursor to rap from the streets of New York.

1984: The Raspy Show-down. Head-to-Head Bonnie Tyler vs. Laura Branigan

“I’m Holding Out for a Hero” by Bonnie Tyler (1984)

“Self Control” by Laura Branigan (1984)

In retrospect the ‘80’s looks all carefree and colorful, but it was likely still difficult for female artists. Things were still not as progressive as maybe one might think. Were they bimbette airheads? Or, under the multi-colored ultra-teased hair, leg warmers and spandex were they artists?

Where were all the pioneering women of rock and what had they accomplished? The forgotten singer-songwriters like Joni Mitchell and Carole King soldiered on in ‘80s – very much out of style. How things had changed - so much but so little.

MTV drove a male definition of what feminism should have been in the 1980’s. MTV drove fantasy, not reality. Who needs that? Capitalizing on the appearance of female artists like Pat Benatar, Kate Bush, and Deborah Harry of Blondie was standard for record companies in the early ‘80’s. Sex symbols were alive and well – it sold records. Would Big Mama Thornton who died alone and impoverished in 1984 tell them not to do it? No Mam!

Like Lena Lovich¹ and Souxsie Sioux (the Banshees) from the punk movement of the late ‘70’s it was trendy for women to be exclusively singers – it was hard to drum and strut around in a video in the latest fashions. They were to appear wandering down the street or rolling on a bed not playing a guitar like would  later happen in the ‘80’s.

Was the pop song “Watch Her Strut” by Sheena Easton a response to Prince who she once dated? Some women embraced the use of their femininity. Did Deborah Harry know what she was doing? Damn right she did.

Well some things you can explain away but my heartache's in me till this day

70’s Pick of the Week

“Train in Vain” by the Clash (1979)

He is not likely going to be posthumously knighted ‘Sir Joe Strummer’. One of the central figures in punk rock, Strummer was viewed as an extremist and mocked the government. You don’t get knighted for that. The Clash would sit around another round table though – that of Punk Rock.

From the womb of a nation wracked with economic turmoil and political and social unrest came writhing, spitting, sneering and swearing, a youth with only anger, fear and contempt for anything that smelled like authority - that was the essence of punk rock. 

And now we meet in an abandoned studio, we hear the playback and it seems so long ago...

MTV and the decline of Music, Part I

“Video Killed the Radio Star”, the Buggles, 1979

“Video Killed the Radio Star” was appropriately the first song to air on the brand new TV station ‘MTV’ in 1981, running 24/7 music videos. It is interesting to note that it was released in 1979. (Yes, I have the original 45!)

It would seem the origins of MTV could date back to 1966 when New Zealand record companies would provide the New Zealand Broadcasting Corporation music videos to play on the air at no fee. The problem was few bands could or would pay their own way to be recorded. This concept though, was likely one of the seeds from which the ideas of MTV grew, although as we have seen there was considerable footage of music that was being created between 1966 and 1981when it happened...