Shinto and rock and roll at the Buddakan

Pick of the Week

“This is Japan” by Jack Green (1980)

With its references to ‘Highway 2’¹ and ‘Indian Summer’² Jack Green’s “I Call No Answer” seemed like it was about Alberta. In fact Alberta seemed to have a profound affection for this English rocker in the early 1980’s – it was a regional anomaly which does not happen very often.

 In the early ‘80’s I recall driving this particular piece of highway (the #2) a bit and one of my favorite road soundtracks for the ride was ‘Humanesque” (of course vinyl recorded onto cassette tape – which always sounded better than the cassette tape format to me).

 I had a pair of white canvas Nikes that lent themselves to the style of the times which I would sometimes wear a dress jacket over a  tee-shirt and narrow leg jeans. It just was the style. If you look at the videos of the time, that is what they wore – the post-punk uniform if you will.

Jack Green seems to be underrated and somewhat forgotten except by his most ardent fans. Was he ahead of his time? Behind the times? Or was it a lot of things like life usually is?

The sound Jack Green made was derivative of a few experiences he had. He had been a member of the T-Rex and The Pretty Things (he was on the recording of ‘Silk Torpedo’ and “Savage Eye’). He had been writing songs professionally since he was 16 years old and had already had two hit singles in Holland and Germany. He was in the cast of ‘Hair’ and played with Richie Blackmore’s Rainbow. Not bad credentials!

The influence of punk and then more new wave opened the door for his more punchy power rock. The guitar was the thing and he played it well.  Ritchie Blackmore (Deep Purple) even came out to help out on “I Call No Answer” when Jack recorded it.

‘Humanesque’ still plays well from beginning to end (That is if you can get a hold of a copy – seems to be somewhat rare strangely).

Hello Daddy, hello Mom I'm your ch ch ch ch ch cherry bomb Hello world I'm your wild girl I'm your ch ch ch ch ch cherry bomb

70’s Pick of the Week

“Cherry Bomb” by the Runaways (1977)

Long, long before the Donnas, and the so-called Riot Grrl movement of the ‘90’s came the trailblazing, unwittingly feminist band, the Runaways.

When teenagers Sandy West and Joan Jett met, they wanted to form a rock band - not a very popular idea at a very male-dominated time in rock history. The great thing about them is that they wrote, played their own instruments and performed world-wide. The problem was that their audience, also teenagers, could not get into the bars they played in. While they were a great success in Europe and especially Japan, they never really gained anything more than a cult following in North America.

The legendary, bizarre producer Kim Fowley had given drummer Sandy West, Joan Jett’s phone number and told them to get together to see if they could do anything. The group originally started as trio with Micki Steele (later of the Bangles), who toured clubs in Los Angeles.  Steele eventually got fired and was replaced.  Soon after, Lita Ford (lead guitar) and Jackie Fox (bass) were hired to round out the group.