Showing posts with label The Ramones. Show all posts
Showing posts with label The Ramones. Show all posts

Saturday, 17 December 2011

We'll be fighting in the streets with our children at our feet and the morals that they worship will be gone


Songs Everyone Should Know

“Won’t Get Fooled Again” by the Who (1971)

It started as being an extension of the statement made by the hippies. “We Won’t Get Fooled Again”. By What? By Who? Let the entrenchment of the boomers begin. Are the new leaders any better than the old leaders?

It was the loudest band in the world. The thunderous drums of Keith Moon, the driving bass of John Entwhistle, the crashing guitar of Pete Townshend and the instantly recognizable vocals of Rodger Daltrey blended at the time of male-dominated rock and roll. With fellow Brit bands Led Zeppelin, Pink Floyd and the Rolling Stones, they were all over the airwaves in the early ‘70’s. The so-called ‘holy trinity’ of British bands (with the Beatles and the Stones) is filled out by the Who.

Tuesday, 23 August 2011

Well some things you can explain away but my heartache's in me till this day

70’s Pick of the Week

“Train in Vain” by the Clash (1979)

He is not likely going to be posthumously knighted ‘Sir Joe Strummer’. One of the central figures in punk rock, Strummer was viewed as an extremist and mocked the government. You don’t get knighted for that. The Clash would sit around another round table though – that of Punk Rock.

From the womb of a nation wracked with economic turmoil and political and social unrest came writhing, spitting, sneering and swearing, a youth with only anger, fear and contempt for anything that smelled like authority - that was the essence of punk rock. 

Saturday, 18 June 2011

I am waiting for my man twenty-six dollars in my hand up to Lexington, 125 feel sick & dirty, more dead than alive

The origins of “Alternative Music” and the rise of Punk – Part II

“I’m Waiting for My Man”, The Velvet Underground (1967)

Back in New York another very significant artist to contribute to what would become alternate music, was Lou Reed. To think this song came out when I was in grade school is almost creepy. The guy is talking about a heroin deal in Harlem. I was likely making batman puppets, bringing my guinea pig in for show-and-tell, or writing my first poem for Mrs. T.  Who knew?

 Seemingly from a normal Brooklyn Jewish family, Lou Reed learned to play guitar listening to the R&B and doo-wop on the radio. Having received ‘electroconvulsive” shock therapy in his teens to ‘cure’ his homosexuality, things took a different turn for Reed. The appearance of ‘normal’ would continue for a while as Reed completed a B.A. from Syracuse University College of Arts and Science in 1964, where he met John Cale (who is most famous for his song “Cocaine”).

The Velvet Underground who was based on the lower East-side in New York would catch the attention of Andy Warhol who led the visual art movement in the 1960’s. Now considered by some to be the pioneers of Goth rock, glam rock, and maybe even punk rock,  VU’s, 1967’s “The Velvet Underground & Nico” has been called the most prophetic rock album ever made (Rolling Stone).

Thursday, 19 May 2011

We are vain and we are blind. I hate people when they’re not polite

Quick Hit

“Psycho Killer”, Talking Heads (1977)

Something like one out of a thousand of us is a psychopath1 and one out of a hundred are sociopaths2. Yet most people just cannot understand this tragic, twisted condition. Society’s fascination with psycho killers is mostly a very basal fear of the unknown. A fear of the appalling, bizarre and generally very sad circumstance in life that could create such a person. Most of us watch from a distance – this could never happen to us, we think. We could never be related to someone like this. Or could we?